She told Joan what she remembered herself of 1870. She had turned her country house into a hospital and had seen a good deal of the fighting. She would stand behind Phillips’s chair with her fat arms round his neck, nodding her approval and encouragement; while Joan, seated opposite, would strain every nerve to keep her brain fixed upon the argument, never daring to look at poor Phillips’s wretched face, with its pleading, apologetic eyes, lest she should burst into hysterical laughter. She hoped she was being helpful and inspiring! Mrs. Phillips would assure her afterwards that she had been wonderful. As for herself, there were periods when she hadn’t the faintest idea about what she was talking.!

“How are you?” she added, holding out her hand. “You’ve grown quite good-looking. I like your moustache.” And he flushed again with pleasure. “Damned if I know,” answered Mr. Simson, with a burst of candour. “Can’t help it, I suppose. Lost me job again.”

She saw the London of the future. Not the vision popular just then: a soaring whirl of machinery in motion, of moving pavements and flying omnibuses; of screaming gramophones and standardized “homes”: a city where Electricity was King and man its soulless slave. But a city of peace, of restful spaces, of leisured men and women; a city of fine streets and pleasant houses, where each could live his own life, learning freedom, individuality; a city of noble schools; of workshops that should be worthy of labour, filled with light and air; smoke and filth driven from the land: science, no longer bound to commercialism, having discovered cleaner forces; a city of gay playgrounds where children should learn laughter; of leafy walks where the creatures of the wood and field should be as welcome guests helping to teach sympathy and kindliness: a city of music, of colour, of gladness. Beauty worshipped as religion; ugliness banished as a sin: no ugly slums, no ugly cruelty, no slatternly women and brutalized men, no ugly, sobbing children; no ugly vice flaunting in every highway its insult to humanity: a city clad in beauty as with a living garment where God should walk with man. “Your mother’s,” he answered. “I built them the year I came back from America and gave them to her. I thought it would interest her. Perhaps it would, if I had left her to her own ways.” “I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.”